Women's Week: Pamela Means

A campy, high-energy stage retelling of the cult-classic film that trades designer ambition for budget-friendly chaos. When Miranda Priestly's spray-painted shoe scandal unravels, naïve Andy stumbles into the scandal of the season—leading to fashion week fiascos, office meltdowns, and a glamorous showdown in Paris. NPR calls it "a comedic kicker of a play," while SiriusXM raves it's "murderously funny." A drop-dead chic cast delivers the laughs and the drama.

A late-night talk show with a distinctly Provincetown spirit—host Bob Keary brings rotating guests for lively interviews backed by the Mike Flanagan Trio, all wrapped in a fast-paced cabaret format complete with audience participation, games, and prizes. It's a love letter to Ptown, because every night here is a good night.

Melissa Ferrick brings her raw, soulful songwriting back to the Post Office Cabaret stage for a three-night run during Women's Week. Catch this celebrated folk-rock artist performing live on Saturday, Sunday, and Monday evenings — intimate performances that showcase why she's earned such devoted fans over decades of making music that matters.

A wild musical journey through the life of queer icon Bitch—from her punk dyke roots in the late 90s to indie rock stardom, feminist awakening, and her brush with cancel culture. Electric violin, sharp humor, and genuine heart collide in this cabaret version of her off-Broadway one-woman show. Co-written and directed by Margie Zohn, it's a funny, touching, and unapologetically joyful treatise on patriarchy, self-actualization, and triumph.

Judy Gold is back at the Post Office Cabaret for her 35th year—a comedy force with 44 years in show business and the fearless voice that's earned her two Emmy Awards, HBO specials, and a spot on Netflix's Stand Out: An LGBTQ+ Celebration. Call of Judy is unfiltered stand-up that charges straight into free speech, democracy, relationships, raising kids, and the 24/7 dumpster fire we call the news cycle. She doesn't tiptoe. She hits hard and never waits for permission to be funny.

Gretchen Wylder's darkly comedic one-woman show reclaims witchcraft and spirituality through the lens of a tarot-reading lesbian forced from her home by religious extremists. Blending horror and humor, the show reinterprets Biblical women's stories while skewering the patriarchal systems and modern dangers of organized religion. Award-winning at Edinburgh Fringe ('25) and Hollywood Fringe ('26), this is fierce, funny, and unapologetically queer—a solo performance that turns personal survival into spiritual rebellion.